10 October 2025 – 15 February 2026

A major exhibition of the trailblazing surrealist photographer Lee Miller.

With the most extensive retrospective of her photography yet staged in the UK, Tate Britain celebrates Lee Miller as one of the 20th century’s most urgent artistic voices.

First exposed to a camera by working in front of it, Miller was one of the most sought-after models of the late 1920s. She quickly stepped behind the lens, becoming a leading figure in the avant-garde scenes in New York, Paris, London and Cairo.

The exhibition will showcase Miller’s extraordinary career, from her participation in French surrealism to her fashion and war photography. Exploring her artistic collaborations, the exhibition will also shed light on lesser-known sides of her practice, such as her remarkable images of the Egyptian landscape in the 1930s.

With around 250 vintage and modern prints, including those never previously displayed, the exhibition reveals Miller’s poetic vision and fearless spirit.

Determined to forge her own path, she later commented, ‘It was a matter of getting out on a damn limb and sawing it off behind you.’

7 October 2025 – 11 January 2026

Discover the duo’s pictures from the past 25 years, with vibrant, large-scale images that centre the human experience and reflect their motto, ‘Art for All’.

This exhibition showcases Gilbert & George’s artistic journey, highlighting new pictures created since the start of the millennium.

With bold, single-word titles, each piece delves into societal norms and taboos, spanning the mundane and the illicit, with their art challenging boundaries of taste and propriety.

21ST CENTURY PICTURES features key series like NEW HORNY PICTURES (2001), THE LONDON PICTURES (2011), THE BEARD PICTURES (2016), and THE CORPSING PICTURES (2022), exploring themes of hope, fear, sex, religion, corruption and death.

7 November 2025 – 28 February 2026

Annely Juda Fine Art announces its inaugural exhibition at the gallery’s new space on Hanover Square with works by David Hockney.  Opening in early November 2025, the exhibition will debut a series of new paintings alongside the first full presentation in the UK of Hockney’s “The Moon Room”.

Hockney’s fourteenth exhibition at the gallery, and following his celebrated exhibition at Fondation Louis Vuitton, Paris this summer, this show will debut never-seen-before paintings completed in his London studio over the last six months, underpinning Hockney’s unwavering commitment to and vigour for the act of painting and cementing him as perhaps the most iconic artist of today.

These very, very, very new paintings mark the most developed stage yet in Hockney’s dedication to ‘reverse perspective’ in paint. For decades, Hockney has observed that traditional linear perspective in art and photography doesn’t reflect how humans actually see: we have peripheral vision, we move and we constantly generate multiple viewpoints. Viewing is therefore not static, but dynamic and experiential. It’s not an inversion of perspective that interests Hockney, but an expansion of the possibilities of representation. In these recent canvases, which depict colourful interior scenes, he disrupts planar perspective and engineers multiple vanishing points in a single picture, bringing us closer to the lived experience of perception.

The show will also include “The Moon Room”, comprising 15 iPad paintings of the night sky. The moon works were created in 2020 outside Hockney’s Normandy studio in France throughout the seasons and, just as previous iPad works have, these works capture a joy in nature, this time brightly illuminated by moonlight.  Influences of Van Gogh are present, yet Hockney’s signature use of line and colour is unmistakable.  With the ability to paint easily en plein air, Hockney enjoys the speed with which he can capture light with the iPad, evident in the luminosity of these works.

20 September 2025 – 18 January 2026

Internationally acclaimed artist Kerry James Marshall is one of the most important painters working right now.

His vivid and mostly large-scale paintings place the Black figure front and centre. Marshall builds upon the Western tradition of history painting and makes visible those people who were so noticeably absent in the works that came before him.

These powerful paintings are full of references which span art history, civil rights, comics, science fiction, his own memories and more. He uses these to comment on the past, celebrate everyday life and imagine more optimistic futures.

This exhibition of his paintings will be the largest outside of the US, and the first chance for many to experience his works in the UK.

See 70 works including his monumental commission from the City of Chicago Public Art Program and the Chicago Public Library, Legler Regional Library, Knowledge and Wonder (1995), which has never been loaned before.