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Graphic Thought Facility

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Graphic Thought Facility Biography - ArtLyst

The work of Graphic Thought Facility is defined less by a distinctive visual language than the rigour with which the designers approach the process of developing and executing graphic projects. The defining characteristic of GTF’s finished work is its eclecticism. Drawing on a diverse range of typefaces from robust use of Helvetica in the Digitopolis gallery at the Science Museum in London, to the curlicue lettering in marketing material for Habitat. The printing techniques and materials, GTF utilizes reinvents its graphic style for each project.

Paul Neale (b.1966) and Andy Stevens (b.1966) met on the MA graphic design course at the Royal College of Art in 1988. Neale had studied art and design at school and did foundation studies at Leicester Poly before doing a degree in design at Central School of Art and Design. Stevens did a degree in graphic design at Leeds Poly. They formed GTF (Graphic Thought Facility) with fellow postgraduate Nigel Robinson on leaving the RCA. When they left the College in 1990 the British design industry was gripped by a severe recession. Since there were no jobs on offer, they funded their activities with the aid of the government’s Enterprise Allowance scheme, some part-time teaching and a bizarre and unexpected gameshow prize (a by-product of a job for Lynne Franks PR), which helped pay for their first computer in 1991.

Founded in London in 1990 by Paul Neale and Andy Stevens after they graduated in graphic design from the Royal College of Art. GTF has since combined cultural projects for Manchester Art Gallery, the Frieze Art Fair and Shakespeare’s Globe Theatre as well as the visual identity of the Design Museum with commercial commissions from Habitat and the design of graphic-based products such as the MeBox storage system. Huw Morgan is now a partner of GTF alongside Neale and Stevens.

Graphic Thought Facility

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