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Nicholas Simpson



Nick employs equipment and techniques that date back to the craft’s earliest days. The pictures are constructed from scratch and everything within them is real – especially when disparate or unexpected. The original photograph is made in a single sitting on one photographic plate, and after processing the negative is worked upon. By scratching and distressing, painting & adding texture, it is Nick's intention to build a patina that helps to convey a false sense of historical provenance to juxtapose with the often incongruous subject matter.

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