Overshadowed by iconic images from Picasso 1932 and Bacon/Freud two of the Tate’s current exhibitions feature powerfully expressive crucifixion images.
I’m just back from a visit to Prague. I went there specifically to see an exhibition of new British painting organised by an organisation called ArtLines
The latest in a long line of examples is a new statue honouring the late artist David Bowie, unveiled over the weekend in Aylesbury.
Today (8th March) is International Women’s Day, it’s also the public opening of the new Picasso exhibition at Tate Modern. For those of you familiar with Picasso and his self-mythologized monster; you may need to read that sentence again.
With Pablo Picasso 1932 – Tate Modern’s major exhibition for the first half of this year – ready to open (March 8th), the drumbeats are already beginning.
The contemporary art world seems an increasingly strange place to be.
I had never experienced a Frank Gehry up-close. Never stood slack-jawed, gawping at the gymnastic splendours that the photographs in the glossies promise.
One name immediately sprang to mind – that of the born Irish, once British, now American painter Sean Scully.
31 December 2017
The British contemporary art world is apparently in a healthy state at the moment.
On 5th December, seven new appointments were quietly made to Arts Council England’s (ACE) National Council, its governing board. This included the controversial choice of Elisabeth Murdoch, daughter of media mogul Rupert Murdoch.
Basquiat used what he knew was out there on the streets the injustices towards black people.
I went to see the R.A.’s new Matisse show, but not at the press view, as I was abroad. I did go very shortly after it opened. Not unexpectedly, it was jammed with visitors, and I mean jammed. You had to dodge round backs to get a proper view of some of the smaller items, notably the drawings.
What people choose to describe as ‘a masterpiece’ is usually pretty much a matter of context. On the whole, at this annual beanfeast for conspicuous consumers, you won’t find much in the way of graffiti art lurking around, though it’s just possible that you might be confronted with a work by Jean-Michel Basquiat now that he’s included in the pantheon of artists with multi-million dollar price tags.
Last October I was in Doha the capital of Qatar which seemed like a well-oiled machine when it came to Art, Education, and Culture.
Imagine in 1988 the public furore if the Tate had hosted an exhibition of queer British art – marking the 21st anniversary of the 1967 Sexual Offences Act, which decriminalised private homosexual acts between men over 21 in England and Wales.
The current Michelangelo & Sebastiano show at the National Gallery here in London is very much the kind of exhibition that one feels a great institution ought to be doing: spaciously presented, tirelessly scholarly, you couldn’t wish for a better introduction to these major names in Italian Renaissance art.
The next two occupants of the so-called Fourth Plinth Commission in Trafalgar Square have just been announced and, true to form, the British visual arts establishment has laboured and given birth to a mouse. Or, to be fair, to two mice, one of them just slightly larger than the other. I speak not in terms of size, but in those of probable effect.
Artist George Boorujy feels particularly pumped to take on the environmental cause, especially since ‘Day One’ the Environmental Protection Agency has been quieted with regard to global warming. Boorujy, an artist devoted to highlighting and protecting our precious natural world says, “This shouldn’t be a partisan issue! Democrats, as well as Republicans, need to breathe.
The Knoedler & Co. gallery fraud case which involved selling $80m/£63m in fake Abstract Expressionist artworks to unknowing collectors seems to be edging to a lenient closure for the corrupt dealer Glafira Rosales.
Christian Science does not explain the work of Nash and Nicolson just as surely as their work does not illustrate Mary Baker Eddy’s Science and Health with Key to the Scriptures.
When Maria Balshaw takes over from Sir Nicolas Serota at Tate (not yet officially confirmed as I write this, but a racing certainty), she takes over an empire that seems to be in excellent health.
During the last few years, the world of contemporary art has undergone a number of drastic changes, which many leading participants seem extremely reluctant to acknowledge.
We face the world in which it appears ever more likely that a Clash of Civilisations will be played out on the world stage, potentially with weapons of mass destruction, as the axis of the world appears to have shifted significantly in this year of political shocks.
In art, the firing squad is composed as much in time as it is in space; in these first words of Gabriel Garcia Marquez’s One Hundred Years of Solitude, we encounter a plethora of narrative potential for past future heroism.
Caravaggio – “What a man! What a painter, but what a man and what a believer.” Those are the words of François Bousquet, Rector of San Luigi dei Francesi in Rome, the church which, in the stunning Contarelli Chapel, houses the magnificent paintings which formed Caravaggio’s first major commission and made his reputation. Bousquet makes his assertion in the introductory film […]
The famed street artist Shepard Fairey has recently revealed his contribution to the climate and sustainability debate in Paris, ahead of the Conference of Parties (COP21) in the french capital. The artist’s massive sphere – a truly global Christmas bauble for the city – dangled between the first and second floors of the Eiffel Tower. […]
In light of the recent events in Paris, Artlyst reflects on the artists engagement with society in times of socio-political crisis; either influencing or being influenced by events; surely works should remind and speak directly to concerns relating to human rights, and freedom of speech? There were seven coordinated terror attacks in Paris carried out […]
After Boris Johnson recently called for new artists’ studios and cultural spaces it seems that little is changing for the betterment of London artists, or the capital’s cultural evolution. This important cultural plea came as the London Mayor published guidance for councils, planners and developers on protecting arts venues – and with good reason – […]
Boris Johnson has called for new artists’ studios and cultural spaces. This important cultural plea comes as the London Mayor publishes guidance for councils, planners and developers on protecting arts venues – and with good reason – as artists continue to be priced out of the UK capital, as developers move in, stripping London of […]
In light of Anish Kapoor’s Olympic Park ArcelorMittal Orbit tower losing £520,000 in 2014-15, burning through £10,000 every week, Artlyst thought it would re-evaluate Kapoor’s towering work. The sculpture/tower, was funded by the ArcelorMittal steel company to the tune of £16 million received £3 million in public funds It opened in 2012 as an observation […]
Artlyst is again attending Frieze week, the 13th edition of Frieze London taking place in The Regent’s Park, from 14 to 17 October 2015. Having recently attended Ai Weiwei and Anish Kapoor’s march, after the artists joined forces for a walk across London, striding down London’s Piccadilly for an eight-mile journey to show solidarity with […]
In an interview with Austrian daily Der Standard, the most expensive living American artist spoke about his relationship to the art market. Jeff Koons did so after unveiling of his Balloon Venus (Orange) (2008-12) statue at the city’s Natural History museum. In a twist – that could be seen as quite an interesting turn in […]