22 September 2019

Damien Hirst Butterfly Genocide – White Cube – Edward Lucie-Smith

Damien Hirst’s show Mandalas, at White Cube Mason’s Yard, has already attracted indignant commentary in The Times. Rachel Campbell-Johnson’s review

22 September 2019

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School of Paris Rendez-Vous at Louvre Abu Dhabi – Paul Carter Robinson

The influx of immigrants into any vernacular urban culture has always been a gamechanger, and there is no better example than Paris at the turn of the 20th century.

20 September 2019

Maurizio Cattelan: Broken Plumbing And Leaky Democracy – Blenheim Palace – Paul Black

Maurizio Cattelan’s ‘Victory is Not an Option’ is a perfectly timed exhibition that parodies Britain’s long slide into populist self-destruction.

19 September 2019

Antony Gormley Plays With Our Perception of Space at RA

The Antony Gormley solo exhibition at the Royal Academy of Arts opens on 21 September. It’s a solo show rather than a retrospective but covers work from the 1970s to the present day. The exhibition fills all thirteen rooms of the Royal Academy’s Main Galleries bringing together both existing and specially conceived new works.

18 September 2019

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Blockbuster Rego, Freud And Murillo Books Released Autumn 2019 – Edward Lucie-Smith

A short time ago, it seemed as if making and publishing books about art – contemporary art, in particular, was a doomed enterprise.

14 September 2019

William Blake: Personal Realms Of Fantasy – Edward Lucie-Smith

William Blake is one of the heroes of British art. In some ways, however, his work fits uncomfortably into the current establishment set up.

9 September 2019

Peter Doig and Parisian Avant-Gardists Launch London Autumn Gallery Season – Edward Lucie Smith

Two exhibitions just opened at a pair of well-respected West End commercial galleries here in London, seem to illustrate the complexity of the contemporary art situation as it is now. 

18 August 2019

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Robert Polidori: Fra Angelico Opus Operantis – Revd Jonathan Evens

William Hood, when writing of Fra Angelico at San Marco, noted that the ‘translucent surfaces’ of the architecture ‘shimmer in the soft currents of light gliding over from just outside’.

5 August 2019

Urban Impulses Latin American Photography The Photographers’ Gallery London – Edward Lucie-Smith

Urban Impulses, the new exhibition at The Photographers’ Gallery here in London, exemplifies the reasons why contemporary photography now so often seems to take the lead over contemporary painting. It is more directly relevant to the world that we, the viewers, inhabit. Photographers have been witnesses to it all – ELS The show is about […]

4 August 2019

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London Art Exhibitions Recommended By Paul Carey-Kent August 2019

The noted writer and curator Paul Carey-Kent gives us his rolling ten recommended Contemporary and Modern art exhibitions for August 2019 in London now. Paul currently freelances for Art Monthly, Frieze, Elephant, STATE, Photomonitor, Border Crossings and World of Interiors, and has a weekly online column at FAD Art News.

1 August 2019

Cut And Paste: NGS Launches First-Ever Collage Survey Exhibition – Clare Henry

Billed as the first-ever COLLAGE survey exhibition in the world, this Edinburgh Festival fun extravaganza of 400 years of cut and paste art encompasses Picasso to Monty Python, Victorian valentines to Andy Warhol, Max Ernst to Peter Blake, Cindy Sherman, Robert Rauschenberg – and of course today’s Photoshop.

31 July 2019

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Company Curiosities: A Clash of Cultural Objects – Edward Lucie-Smith

I have personal reasons to be interested in this book – Company Curiosities, by Arthur Macgregor. A direct ancestor of mine, not however mentioned in the text, was Chairman of the British East India Company in some of its glory days at the end of the 18th century.

25 July 2019

Helene Schjerfbeck Finland’s Best Kept Secret – Marina Vaizey

Is the Finnish painter Helene Schjerfbeck (1862-1946) the most fascinating artist the anglophone world has never heard of? The fashionable preoccupation with women artists of past and present is throwing up and out some real discoveries and rediscoveries.

25 July 2019

Ed Moses Qin Feng Blain|Southern London – Edward Lucie-Smith

The current Ed Moses paintings on display at Blain/Southern represent only a snippet of a very varied career.

23 July 2019

Emigrés Who Transformed the British Art World – Marina Vaizey

Brave New Visions, this special exhibition at Sotheby’s George Street galleries, is a tell and show of the ways in which Britain’s insular art world was expanded and transformed by newcomers,

18 July 2019

Art Exit 1939 – A Very Different Or Analogous Europe – Edward Lucie-Smith

There can be no doubt that Art-Exit: 1939, at the 12 Star Gallery in Europe House, Smith Square, is a highly political exhibition.

14 July 2019

Charlie Smith London Is 10 – Edward Lucie-Smith

The new show at Charlie Smith London celebrates, as the handout tells you, “a full decade’s operations in Shoreditch”. Within that period, the gallery has presented 88 exhibitions and has participated in more than 30 art fairs in Germany, Italy, the Netherlands, Switzerland, the USA and here in the UK.

14 July 2019

Fact Liverpool: Real Work Two Exhibitions – Alice Lenkiewicz

Liz Magic Laser has created an exhibition on the ground floor of Fact Liverpool as part of Real Work. This is an absorbing show about people working in unrecognised freelance jobs and how their quality of life and business can be improved through certain goals and techniques through advice from a life coach and a […]

10 July 2019

Olafur Eliasson: Work That Is Right Here Right Now – Edward Lucie-Smith

Olafur Eliasson is now a very big deal in the world of contemporary art

9 July 2019

Talking Maps: Geocentric Eccentricity At The Bodleian Library – Paul Black

Artlyst has attended Talking Maps, a new exhibition at the famous Bodleian Libraries, Oxford – a celebration of maps throughout history

7 July 2019

Takis Tate Modern Kevork Mourad Ismaili Centre – Two Shows – Edward Lucie-Smith

The Greek artist Panayiotis Vassillakis, known simply as Takis, born in Athens in 1925, is a very senior member of today’s international avant-garde. His new show at Tate Modern – what? Not a woman, not a person of colour? – therefore qualifies as an event of some interest.

6 July 2019

Frieze Sculpture 2019 A 3D Non-Statement – Edward Lucie-Smith

It’s time for the annual show of sculpture in Regent’s Park, organised by the Frieze Art Fair, but opening far in advance of the fair itself, and lasting for much longer. Also, it’s free. What’s on view, you see for nothing. Which makes me wish, quite fervently, that it was a more convincing show.

4 July 2019

Felix Vallotton: A Lost Prophet – Royal Academy – Edward Lucie-Smith

Felix Vallotton, the subject of a new exhibition on view now, at the Royal Academy, was a betwixt and between sort of artist. Swiss by birth, he became French.

3 July 2019

Alexander Calder Stories: Spectacular New Exhibition Centro Botín – Jude Cowan Montague

When the boats sail past on a summer’s day and the light falls gently, and we’re solstice-awake in the long days, Alexander Calder reels back to life as if he himself is a film, viewed in the flickering light of the sea cast by this special spot.

30 June 2019

Contemplating the Spiritual in Contemporary Art – Revd Jonathan Evens

Contemplating the Spiritual in Contemporary Art a new exhibition at Rosenfeld Porcini is proof, if proof is needed, that there is no shortage of artists exploring, as Erika Doss described them, ‘the intersections of iconography, religious orthodoxy

29 June 2019

FairforSaatchi: The Making Of A Summer Fixture – Simon Tait

A new contemporary and modern art fair at the Saatchi Gallery has just opened as a “pop-up” during the London Summer fair season. Organised in just six frantic weeks FairForSaatchi hopes to become an annual fixture.

27 June 2019

Cindy Sherman NPG Retrospective A Major Blockbuster – Edward Lucie-Smith

The Cindy Sherman retrospective just opened at the National Portrait Gallery is a major blockbuster, illustrating all aspects of a very prolific career.

25 June 2019

Scott Eaton Artist Plus AI – Edward Lucie-Smith

A rather too brief exhibition, well hidden away in the bowels of Somerset House and not mentioned in the official handout listing what is currently on view in the main gallery spaces there, raises many questions that aren’t being asked in our rather smug London contemporary art world. Entitled The Artist + AI, it is a compact solo show for an American artist called Scott Eaton.

25 June 2019

Donald Sultan Huxley-Parlour Sam Jackson Charlie Smith London 2X Reviews – Edward Lucie-Smith

This is the time of year when London’s grandee galleries – official and commercial – are so busy presenting us with blockbuster shows that lesser lights tend to get squeezed out, at least where publicity is concerned. Here are a couple of exhibitions on a somewhat lesser scale that it would be a pity to miss. One, at Huxley-Parlour in Swallow Street, offers the work of the American artist Donald Sultan, one of the stars of the return to painting (as opposed to other forms of artistic expression) that took place in American art in the 1980s.

18 June 2019

Paula Rego Where The Personal Is Political – Marina Vaizey

All art is perforce autobiography, and every picture tells a story. How could it be otherwise? No outstanding artist almost literally makes visual these underlying possibilities more than Paula Rego.

17 June 2019

Gender Fluidity Celebrated In New Hayward Gallery Exhibition – Teo Robinson

Kiss My Genders at the Hayward Gallery curated by Vincent Honore is a dynamic voyage and vivacious celebration of infinite representations of gender-diversity, gender non-conformity, androgyny and gender-subversion over the course of 50 years, featuring a mélange of 100 artworks by 35 international artists.

16 June 2019

Keith Haring: A Sign Of The Times – Tate Liverpool – Alice Lenkiewicz

The highly anticipated first UK exhibition of Keith Haring’s work has opened at Tate Liverpool. It is vast, covering most aspects of his work and career. This was my first experience seeing so many pieces by this seminal figure from the 1980s,’ in the flesh, so I was curious to learn more about the man.