21 December 2014

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About the ‘Real’ in ‘Portraiture’ Rembrandt van Rijn and the observer

  “Rembrandt, Rubens, Titian, knew from the outset, with a sublime compromise, how to fuse the entirety of their personality with the flesh of their subject sitting before them, how to animate it with their passion while it resembled others, to glorify their dreams or their sadness. This, I cannot do, I want to be […]