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 Andy Warhol, dulwich picture gallery
Andy Warhol The Portfolios At Dulwich Picture Gallery - ArtLyst Article image

Andy Warhol The Portfolios At Dulwich Picture Gallery

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An in-depth exhibition of Warhol's print portfolios 1962-1984

Dulwich Picture Gallery has announced its summer exhibition Andy Warhol: The Portfolios, Bank of America Collection. The exhibition will focus on the period 1962-1984 during which Warhol focused almost exclusively on the silk-screen printing method. This is the first time the exhibition of 80 works from 13 portfolios has visited Europe. The exhibition will include some of the artist’s most iconic imagery, including portraits of Muhammad Ali and Marilyn Monroe, the artist’s self-portrait, still-lifes, and mythical or heroic figures such as Superman.  The exhibition is curated by Dulwich Picture Gallery and was originally conceived by Bank of America’s Senior Curator, Lillian Lambrechts.
Through his use of colour, design and form, Warhol transforms pre-existing imagery, making ‘multiples’ to portray subjects as diverse as famous faces, still lifes, and animals in danger of extinction. Many of the prints share similar subject matter with works in Dulwich Picture Gallery’s own permanent collection, providing a modern take on themes treated by Old Masters. Warhol based his Vesuvius (1985) print series on a painting from the early 1800s by the Neopolitan artist Camillo de Vito, Eruzione del Vesuvio. This was not the first time that he created paintings and prints from historic works. Making Pop Art from historic art was yet another way that Warhol mined the culture around him for imagery and ideas.
The intimate proportions of Dulwich Picture Gallery provide a very different environment for viewing such an exhibition. At Dulwich the prints will be hung decoratively, densely packed, more like an 18th-century ‘print room’ than the usual sparse hang of the ‘white box’ contemporary gallery space. The effect will be very striking: a riot of colour and image.
Ian Dejardin, Co-Curator and The Sackler Director of Dulwich Picture Gallery, said: “Andy Warhol: The Portfolios is the perfect exhibition for the Olympic summer. Visitors will be flocking to Dulwich Picture Gallery to see some of Warhol’s most dazzling prints on paper - not just the familiar icons but also some lesser-known surprises - right here in South London. This will be Warhol as you've never seen him - a decorative feast of Pop on the August walls of England's oldest gallery!”
These iconic images are part of the Bank of America Collection, which is one of the most diverse corporate art collections in the world. They have been made available to the Dulwich Picture Gallery as part of the company’s Art in Our Communities®programme.  This unique initiative enables museums and non-profit galleries around the world to borrow complete or customised exhibitions at no cost, guaranteeing that the collection is shared with as wide an audience as possible
Portfolio series featured in the exhibition will include Campbell’s Soup II, Flowers, Space Fruit: Still Lifes, Endangered Species, Myths and Ten Portraits of Jews of the Twentieth Century. The Myths portfolio (1981) is perhaps the most intriguing series, based on photos taken by Warhol and produced six years before his untimely death in 1987. Further highlights of the exhibition will include images as diverse as the Wicked Witch of the West, Superman, The Marx Brothers and Franz Kafka as well as Keith Haring’s portfolio Andy Mouse (1986), created as an homage to Warhol, and a haunting photograph of Warhol taken by Robert Mapplethorpe in 1986.
Rena De Sisto, Global Arts and Culture executive at Bank of America Merrill Lynch adds: “We are thrilled that Andy Warhol: The Portfolios will have its first European display in one of London’s best-loved and most beautiful spaces. Our company strives to give people around the world access to great art, and since launching the Art in Our Communities programme in late 2008, we have lent over 50 exhibitions to arts institutions around the world.  Organisations such as the Dulwich Picture Gallery play an intrinsic part - both economically and culturally – of the communities they serve, and their role in creating a more cohesive, open-minded, and healthy society cannot be overstated.” ,
The Gallery gardens may also provide the photo opportunity of the summer: Philip Haas’s, The Four Seasons, a breath-taking set of four 15-feet high fibreglass sculptures by renowned film-maker and artist Philip Haas. The works are three-dimensional realisations, correct in every tiny detail, but on an enormous scale, of Giuseppe Arcimboldo’s iconic 16th century trompe l’oeuil paintings, personifications of the seasons made up of seasonally appropriate flowers, vegetables, fruit, and, in the case of Winter, an ancient gnarled tree stump – as if the old mulberry tree growing nearby in the Gallery grounds has come to life.
About Dulwich Picture Gallery

Dulwich Picture Gallery is England’s first purpose-built public art gallery: it was founded in 1811 when Sir Francis Bourgeois RA bequeathed his collection of Old Master paintings “for the inspection of the public”. The Gallery was designed by Regency architect Sir John Soane and houses one of the country’s finest collections of Old Masters, especially rich in French, Italian and Spanish Baroque paintings and in British portraits from Tudor times to the nineteenth century.
Dulwich Picture Gallery is an independent charitable trust and is not in receipt of any regular government funding.  The Gallery’s vision is to set an international standard of excellence amongst independent museums, recognised for innovative and dynamic engagement with art in the belief that art can transform lives for the better. Dulwich Picture Gallery’s directorship position is endowed as The Sackler Director of Dulwich Picture Gallery thanks to a generous grant given in recognition of the Gallery’s standing and achievements in both its exhibition and community engagement programmes. The grant from The Dr Mortimer and Theresa Sackler Foundation endows in perpetuity this position and secures the excellence and sustainability of the Directorship for the Gallery’s future.

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