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 John Constable Painting, Saved For The Nation , Tax Lieu Scheme
Important John Constable Painting Saved For The Nation In Tax Lieu Scheme - ArtLyst Article image

Important John Constable Painting Saved For The Nation In Tax Lieu Scheme

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An important painting by John Constable R. A, one of Britain's greatest and best-known landscape painters has been accepted by the nation through the Acceptance in Lieu Scheme and permanently allocated to the Ashmolean Museum in Oxford.

Willy Lott’s House from the Stour (The Valley Farm) shows a cottage in the Stour Valley in Suffolk, where the artist spent his childhood years. The subject was central to many of Constable’s greatest paintings, including the later Valley Farm from 1835 and the same building is seen from a different angle in The Hay Wain which is now in the National Gallery.

The painting, which is the first finished work by Constable to enter the Ashmolean’s collection was painted c.1816-18 and depicts the view from the south-west bank of the river Stour looking towards Willy Lott’s house. It will perfectly complement the Ashmolean’s existing holdings of four oil sketches by the artist.

The painting has a particularly interesting early provenance. It was owned by Jonathan Peel, younger brother of Prime Minister, Sir Robert Peel, 2nd Baronet, whose fine collection of paintings was sold to the National Gallery in 1871. In 1848 it was sold in London and acquired by the New York philanthropist and collector, James Lennox and is believed to be the first work by Constable to enter an American collection. It returned to the UK in 1956.

The Acceptance in Lieu Panel, chaired by Edward Harley, advises ministers on the suitability of items offered in lieu. The acceptance of this painting settled £1,012,200 of Inheritance Tax.

Dr Alexander Sturgis, Director of the Ashmolean, said: ‘It is a huge honour to receive this beautiful painting - the first finished work by Constable to come to the Ashmolean - in my first month as Director. The Museum is profoundly grateful to Arts Council England for its support. The painting is on display in the 19th Century Gallery where it can now be enjoyed by thousands of visitors in perpetuity.’

Sir Peter Bazalgette, Chair Arts Council England said: ‘This gorgeous oil painting, a different view of the famous Haywain, is a wonderful addition to the Ashmolean and joins their existing collection of Constable oil sketches. The AIL scheme has once again delivered a really important acquisition for the nation.’

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