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James Turrell Installation So Intense Viewers Must Sign A Waiver - ArtLyst Article image

James Turrell Installation So Intense Viewers Must Sign A Waiver

12-12-2014
 
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A new retrospective exhibition of the American artist James Turrell (born 1943) at the National Gallery of Australia is so intense that visitors will be asked to sign a waiver, before viewing one of the installations. This Saturday, the work opens to the public which includes some extremely complex constructions. The highlight is titled Bindu shards, and visitors only with a premium ticket can enter the artwork if they sign a waiver. Turrell describes the work as "behind the eyes light”.This is not for anyone with epilepsy, a pacemaker or claustrophobic sufferers. "It's quite an emotional work I would say, and one that I hope would have you thinking about your relationship to light," Turrell said at the launch.


The 72-year-old, was Born May 6, 1943 in Los Angeles, California. Graduated Pasadena High School, 1961. BA Psychology, Pomona College, 1965. Art Graduate Studies, University of California, Irvine, 1965-1966. MA Art, Claremont Graduate School, 1973. For over half a century, the American artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. Turrell, an avid pilot who has logged over twelve thousand hours flying, considers the sky as his studio, material and canvas. New Yorker critic Calvin Tompkins writes, “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form.”


Informed by his training in perceptual psychology and a childhood fascination with light, Turrell began experimenting with light as a medium in southern California in the mid-1960's. The Pasadena Art Museum mounted a one-man show of his Projection Pieces, created with high-intensity projectors and precisely modified spaces, in 1967. Mendota Stoppages, a series of light works created and exhibited in his Santa Monica studio, paired Projection Pieces with structural cuts in the building, creating apertures open to the light outside. These investigations aligning and mixing interior and exterior, formed the groundwork for the open sky spaces found in his later Skyspace, Tunnel and Crater artworks.  

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