Tate Tanks Stages An Over Sixties Silver Action Feminist Performance
On 3 February 2013, hundreds of women over the age of sixty will converge on The Tate Tanks in Bankside to participate in 'Silver Action', a live and unscripted performance conceived by artist Suzanne Lacy. This is the first event in the BMW Tate Live series for 2013.
UK-based women who took part in significant activist movements and protests from the 1950s to 80s will share their personal stories in a series of workshops, culminating in a day-long public performance on 3 February. Visitors to The Tanks will hear diverse groups of women engaged in discussion about their experiences and the impact and results of their actions as they walk among them. Live documentation - film, social media and text – will also be projected in real time onto the walls of The Tanks.
The Ford sewing machinist strike of 1968, which led to the Equal Pay Act 1970; the Miss World demonstration of 1970; the Grunwick dispute from 1976 to 1978;and the Greenham Common women’s peace camp campaign for nuclear disarmament in the 1980s are among the types of movements with which the participants of Silver Action have been involved. Each has attempted to transform the contemporary social landscape and the relationship between government, corporations and working people in the UK.
Silver Action will explore current themes in social and political discourse such as aging, activism, social media and the role of personal commitment to the public agenda through the activist histories of British women, many of whom are now in, or entering, old age and facing new challenges. It will champion the inclusion and social relevance of older women and offer new ways of looking at the ageing experience and the role of women in social transformation.
Silver Action follows the installation of Suzanne Lacy’s Crystal Quilt 1985-87 at Tate Modern in 2012. Crystal Quilt was initially conceived and experienced as a performance work, when 430 women over the age of sixty gathered in a Minneapolis shopping centre to share their views on growing older. The performance was broadcast live on television and was the culmination of the Whisper Minnesota Project, a three-year public artwork empowering and giving a voice to older women from diverse ethnic and social backgrounds.
BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on live performance and interdisciplinary art both in the gallery and online.
BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and Performance, Tate and Capucine Perrot, Assistant Curator, Tate Modern. Silver Action is produced with contributions from Dr Margaretta Jolly, Project Director of Sisterhood and After: The Women’s Liberation Oral History Project and advisors include the London School of Economics Gender Studies Institute and Forster Communications.
Suzanne Lacy (USA, b1945) has worked collaboratively with artists and communities since the 1970s. Her work includes installations, video, and large-scale performances that frequently focus on social themes. Recently she has shown The Tattooed Skeleton at the Museo Nacional Centro Reina Sofia in Madrid; Prostitution Notes at the Serpentine Marathon; Anyang Women’s Agenda in Anyang, Korea; The Skin of Memory Revisited at the Medellin Biennale; Three Weeks in January for the Getty Pacific Standard Time Performance and Public Art Festival; Storying Rape for the Liverpool Biennial and The Crystal Quilt, a recent acquisition to the Tate Collection. She is currently working on a long term project in Bristol, The University of Local Knowledge with the Arnolfini Gallery and the Knowle West Media Centre. Also known for her writing, Lacy edited the influential Mapping the Terrain: New Genre Public Art, published in 1995 by Bay Press and has recently released Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007 by Duke University Press. Suzanne Lacy: Spaces Between is a monograph by Sharon Irish, published by University Minnesota Press. Lacy is the Chair of the Graduate Public Practice Program at Otis College of Art and Design in Los Angeles.
Sisterhood and After: The Women’s Liberation Movement Oral History Project has recorded the memories of 60 activists and intellectuals in women’s movements across the UK. Their stories bring to life the struggles and successes of feminists from the 1960s to the 1980s in the first comprehensive, public collection of interviews with this pioneering generation. The oral history will be permanently archived at The British Library, in partnership with The Women’s Library and the University of Sussex in 2013.