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U2 Glastonbury Protest First Photo - ArtLyst Article image

U2 Glastonbury Protest First Photo

DATE: 25 JUN 2011
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Art Uncut tell Band "U Pay Tax 2"  Security Kettles 50 Protesters

U2 took to the pyramid stage In pouring rain last night. The controversy surrounding the Irish band's appearance at Glastonbury this year helped turn an unremarkable, letter perfect performance into an event of actual relevance, even if  for the wrong reasons. Other than an out of tune acapella version of the hymn Jerusalem, the concert came off well for the band. The protesters, organized by Art Uncut, unfurled banners and shouted pay your taxes to the supergroup as they performed their first song at The Glastonbury Festival. As Bono and the band were coming onto the Stage, protesters from Art Uncut inflated a 20ft balloon printed with the the slogan "U Pay Tax 2".The activists tried to display it over the crowd, but a team of security guards pounced on them, deflating the balloon and confiscating it. The heavy handed tactics by security guards took place just after U2's opening song "Until The End Of The World". Clashes with around 50 protesters carried on until they were kettled against a fence for the rest of the performance.. Michael Eavis, Glastonbury founder, said that while he encourages political activism at his festival, he believes the planned protest against U2's tax status was unfair because of all of their generous charity work.
The energetic protesters saved the day and kept the fans awake despite the heavy rain, cold and mud, which incidentally was a foot deep and the consistency of runny chocolate mousse. The activists mostly went unnoticed, overshadowed by the scale of the event, but all and all, the media attention has made it a resounding success. The millions of television viewers watching the BBC broadcast hardly noticed that anything out of the ordinary was taking place. This low keyed yet powerful statement by Art Uncut will hopefully send a clear message to every actor, band and artist in the public eye. It will undoubtedly remind them that taxes are something that benefit us all and if an artist is going to have aspirations to be one of the good and great, responsibilities begin at home. The popularity of an artist is dependent on an audience that engages with the artist. It is the public that buy their albums, go to see their films and pay to see their live performances. It seems that Art Uncut the Irish protest group has a bigger message at large. U2 have been singled out as a high profile target and by hitting this raw nerve one can only hope that Bono,The Edge and co will think twice about moving money to safe tax havens in the future. Bono is publically known for being concerned with development. But tax issues are crucial to development. Christian Aid estimates that developing countries lose $160bn annually, more than the global aid budget, thanks to unscrupulous multinational companies dodging tax. Fellow campaigner Charlie Dewar said: “U2’s multimillion-euro tax dodge is depriving the Irish people at a time when they desperately need income to offset the Irish government’s savage austerity programme.

Art Uncut has stated that Before 2006 U2 Ltd, which deals with U2's royalties payments, was registered in Ireland, the band's native country, for tax purposes. At the time, Ireland had an astonishing policy of allowing artists to pay zero tax on royalties. In 2006, the Irish government decided to cap the income which can be subject to this exemption at 250,000 Euros per annum. Following this change in the law, U2 Ltd decided to move their tax affairs to Holland in order to pay less tax. In the world we live in today, nations compete with each other to undercut one another's tax rates. States allow themselves to be played off against each other by big business and wealthy individuals: 'Please don't leave to go to Switzerland! Here, have more of the money that could be spent on schools, hospitals and public services', says George Osborne as he slashes corporation taxes by 2%. Of course in the short term one country may increase its tax intake by undercutting the tax rates of another country, but this is done only at the expense of that other country, which has lost business by not offering a high enough ransom to persuade it to stay. And globally, over time, this process inevitably results in an ever-dwindling proportion of profits going to governments to spend on the public good.

If the nations of the world decided to cooperate rather than compete, they would have everything to gain. If every country in the world agreed to impose a progressive corporation rate on business with a top rate of, say, 50%, they would secure many, many times more revenue. Big business would have nowhere to run, and so would lose its power to dictate to governments how to set their tax rates. In democracies, the power to choose the tax law would be returned to the people. The painful decisions nations currently face over how to spend their ever dwindling share of global profits would be a thing of the past. Bono, with all of his global knowledge knows this, he should do the right thing and pay his taxes.

Art Uncut was founded to make the kind of societal model that we believe to be better: a society with well-funded arts, well-funded public services, and where there is a certain amount of redistribution so that the gap between rich and poor does not get too wide. They began as a small group of artists and musicians involved in UK Uncut actions, but hope now to open up the anti-cuts movement to a broader audience: to those who are not temperamentally inclined to protest, or perhaps haven't made their minds up yet. If we are serious about building a broad, sustained coalition of opposition with the potential for political influence, we need to reach out.

Comments

Posted - 25 Jun 11
I am a keen supporter of UKuncut but I really do question the U2 protest. In the 1980s when Ireland was not a good place financially or to build a successful band - U2 unlike all their contemporaries chose to, and made a big thing of staying loyal to Dublin (which wasn't a cool place then) rather than move to London. They have stuck with Ireland over last 30 years through good and bad and poured a lot of money into development there. They are part of the reason why dublin is a cool place now as demonstrated by the positive impact on revenue citywide revenue when they play there. They pay the taxes on their Ireland earned income in Ireland. What is one of the major reasons for why Bush, Gates and Buffet pour billions into Africa - Bono (not entirely but partially). Sure they are an easy target coz of their high profile but it seems a bit cheap to me and I also suspect it is motivated by guys in their 20s or so who maybe havent recognised the journey U2 have taken and just see the corporate entity which they have become at the end.
 
Posted - 26 Jun 11
No one is disputing U2's contribution to Ireland or the developing world but the questions raised in this article specifically address the non payment of domestic taxes.These payments would benefit Ireland in a time of crisis.Fact, Other business have done worst things, but all enlightened people should try and pool together to help. First stop, by setting an example. If U2 are role models to a younger generation they should start by paying taxes. After all they are so rich what difference would it make?
 
Posted - 27 Jun 11
We used to go to Glastonbury. These last few years we've felt it was getting Commercial. Sure, things change with time but Glastonbury used to be a nice family festival in which the music went hand in hand with the hopes and struggles of a better world. Now, we notice, the people who go to Glastonbury might as well be at Butlins or Ascot. The important thing is to party, get pissed/ stoned and listen to some amazing bands. 'Day Trippers' werre always a big part of 'Glasto', but now Consumerism is at the core and the Market is happy with this. We understand that you just sell tickets and the audience is self-selecting but you do determine the 'mood' of the event. What you decide as Policy determins who goes to Glastonbury, who feels welecome, who realises they have no place there and what the whole thing is supposed to 'Mean'. The proposed U2 'Arts Uncut' protest was just the sort of thing which would have formed the core of previous Glastonbuury's - a valid social comment about corporate hypocricy and a plea for justice, expressed in a humerous, cheerful and thoroughly non-invasive way and most certainly not secretly. The action of your 'Security Team' to stop this so that the people consuming one of the most popular bands in the world tells us where you stand. Pop is to be consumed. 'Social conscience' is a great marketing tool but not something to be taken seriously. If it even slightly interferes with the delivery of Prosuct, it's to be suppressed. Well, plainly we've learned that there's no reason for us to go to Glastonbury any more. That won't affect you really. As all the people who used to go to your 'Festival' gradually drift away because they can't countanance your policies, more will come in who are just there for the music and the buzz of a massive media event. In truth, Glastonbury is going to grow, and may well grow to be more huge than you could ever have dreamed. It's going to be a massive moneyspinner and coverage will spread even further than the UK. Ticket prices will continue to rise and more people will expect 'more' for their money' as they bring bigger cara and trailers onsite, generators will work overtime and your audience will 'Have it large' just as they do in city centres throughout the country or the rest of the year. Let's be honest with ourselves, it's not been 'alternative' for some years has it? And, why should it be when you're supplying such a great and popular service to the entertainment industry. You have gone Mainstream and your public are the ordinary people of Britain. No longer the embarrasing 'Hippies', 'Peaceniks', 'Feminists', 'Guardian readers' or 'CND Supporters'. You have a bigger public who will want more lager, more burgers, bigger bands and more Security. I understand, you have outgrown us. You have, in fact, become all those things you used to be against and now, in conjunction with the corporations with which you are allied, you will win. Goodbye: S M Short. CND Supporter. CTC Supporter. FOE Member. Ex Glastonbury goer.
 

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