Art Criticism Archives

Radical Landscapes: A Reaction To Nature – Tate Liverpool – Alice Lenkiewicz

I wasn’t sure what to expect from Radical Landscapes, but it went beyond my expectations. As usual, Tate Liverpool has developed a thought-provoking and in-depth exhibition on this subject.

Venice To London May 2022 Diary – Revd Jonathan Evens

Several exhibitions/installations in Venice during the 59th Biennale re-situate key works or themes from Christianity’s historic engagement with the Arts, in some cases overlaying biblical narrative onto the present.

Surrealism’s Alternative History The 59th Venice Biennale – Nico Kos Earle

The Venice Biennale sparks surreal conversations between past and present in ‘Milk of Dreams’, curated by Cecilia Alemani

59th Venice Biennale: Twelve Things To See On-Site – Paul Carter Robinson

I have just returned from the 59th Venice Biennale, which was thrown off course by a year due to the pandemic.

Eight Of The Best Collateral Events – 59th Venice Biennale – Lee Sharrock

Writer and PR Consultant Lee Sharrock has selected eight of the best collateral events taking place in Venice during the 59th Biennale.

Anish Kapoor: Svayambh – Significant Works – Sue Hubbard

In the fine elegance of Burlington House, with all its associations of white privilege, Anish Kapoor’s lumbering train conjured images of India’s overcrowded railway system

Richard Wilson 20:50 Significant Works First Created 1987 – Sue Hubbard

Richard Wilson 20:50: Nearly one-hundred-and-five years after Marcel Duchamp’s porcelain urinal was daubed with the pseudonym ‘R..Mutt.’

Ken Currie: Unknown Man Scottish National Portrait Gallery – Clare Henry

Ken Currie, undoubtedly among the most significant painters of our time, is known for his dark side, his bleak, black pictures

The Trouble With The Turner Prize – Edward Lucie-Smith

The Turner Prize continues to be in trouble. The competition has an aim: to single out the best new artists living and working in Britain

Rachel Whiteread: A Beguiling New Exhibition At Gagosian – Marina Vaizey

The Gagosian Gallery on Grosvenor Hill is a subtly magnificent slab of grey. particularly appropriate for the art of Rachel Whiteread.

Mona Hatoum: The Light at the End 1989 Significant Works – Sue Hubbard

I first saw Mona Hatoum’s installation The Light at the End at The Showroom in East London in 1989.

KAWS: Reinventing Appropriation Brooklyn Museum – Raphy Sarkissian

Upon entering the Brooklyn Museum to view “Kaws: What Party”, the visitor is confronted by a colossal and strikingly iconic sculpture

Mark Wallinger State Britain 2007 – Significant Works – Sue Hubbard

In this series, Sue Hubbard explores Mark Wallinger State Britain 2007 an artwork and Turner Prize winning exhibition at the Tate Gallery.

UK Art Can Be A Ball Of Confusion – Edward Lucie-Smith

Last Sunday, the Times carried not one but two pieces by Waldemar Januszczak, its resident art critic, who is certainly one of the best in that slightly esoteric line of business. The first Kehinde Wiley the second on Antony Gormley.

Billy Childish: The Timeless Present – Neugerriemschneider Berlin – Edward Lucie-Smith

Billy Childish has been around a long time. He is not only an artist but a poet and a composer of music.

Jenny Saville Propped 1992 Significant Works – Sue Hubbard

Not long after Jenny Saville had left art school in Glasgow. As yet she was unwritten about and unknown. I was taken aback by its power and wrote a short review for Time Out.

Art of the Internet Age Takes Center Stage – Edward Lucie-Smith

The Museum of Modern Art in New York has rehung ‘a full third of its collection….the Art of the Internet Age Takes Center Stage

Mary Wollstonecraft: A Lumpen Statue By Maggie Hambling – Sue Hubbard

It’s been quite a year for statues. Normally no more than street furniture that no one bothers to look at – old white men standing on plinths in all weathers extolling some arcane ‘victory’ of the Empire

Rachel Howard: Suicide Drawings – Significant Works – Sue Hubbard

Rachel Howard’s Suicide Paintings were first shown at the Bohen Foundation in NY, in 2007 and the following year at London’s Haunch of Venison gallery. Left shocked and devastated by the suicide of an acquaintance who was found kneeling in an almost prayer-like position, suicide was, she realised, one of the last taboos.