18 February 2020

/

Massimo Bartolini: Credits

18 February 2020

/

Morandi, Balla, de Chirico and Italian Painting 1920 – 1950

18 February 2020

/

Transparent Things

18 February 2020

/

Among the Trees

18 February 2020

/

Formafantasma: Cambio

18 February 2020

/

Cao Fei: Blueprints

18 February 2020

/

Kimono: Kyoto to Catwalk

12 February 2020

/

Titian: Love, Desire, Death

12 February 2020

/

Sin

11 February 2020

/

Edmund de Waal: library of exile

10 February 2020

/

Vicken Parsons: Breath

4 February 2020

/

Li Qing: Blow-up

4 February 2020

/

Hugh Mendes: Autorretrato: The Female Gaze

4 February 2020

/

Eric Fischl: Figures

4 February 2020

/

Mushrooms: The Art, Design and Future of Fungi

3 February 2020

/

50 x 50

3 February 2020

/

50 Years

3 February 2020

/

Gianfranco Zappettini: The Golden Age

3 February 2020

/

Marc Brandenburg: Snowflake

3 February 2020

/

Harun Farocki, Hito Steyerl: Life Captured Still

3 February 2020

/

Kendell Geers, ‘Love, By Any Means Necessary’

3 February 2020

/

Melvin Edwards

3 February 2020

/

Cerith Wyn Evans No realm of thought… No field of vision

29 January 2020

/

Bram Bogart

27 January 2020

/

James Turrell

27 January 2020

/

Sigmar Polke: Objects: Real and Imagined

27 January 2020

/

Peter Fischli David Weiss: Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?

22 January 2020

/

Colin Smith: Material Culture

22 January 2020

/

David Lock, Gavin Maughfling, J A Nicholls: Between Parts Undone

22 January 2020

/

Athanasios Argianas: Hollowed Water

22 January 2020

/

Vivian Suter: Tintin’s Sofa

17 January 2020

/

Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave