Reviews Archives - Page 3 of 36

Aliza Nisenbaum: Portraits That Subvert Traditions – Tate Liverpool Alice Lenkiewicz

Aliza Nisenbaum is a painter, living and working in New York. Describing herself as torn between wanting to be a social worker or a painter

Lynette Yiadom-Boakye Lets The Paint Tell The Story – James Payne

Fly In League With The Night, at Tate Britain covers Lynette Yiadom-Boakye’s work from her graduation in 2003 to the present day, with some paintings made during lockdown.

Cosmic Patches And Quilts Five Exhibitions – Revd Jonathan Evans

‘Here as in Heaven’ is the title of Ndidi Emefiele’s current exhibition, a body of work representing the artist’s philosophical attempt to understand the tragic death of her sister.

Billy Childish: The Timeless Present – Neugerriemschneider Berlin – Edward Lucie-Smith

Billy Childish has been around a long time. He is not only an artist but a poet and a composer of music.

Tracey Emin / Edvard Munch Exploring The Inner Self – Edward Lucie-Smith

Tracey Emin is one of the two major survivors from the so-called YBA (Young British Artists) Group that made such a lot of noise in the 1990s.

Antony Gormley and Martin Gayford Present Visual Culture Throughout History – Edward Lucie-Smith

The big new Thames & Hudson book Shaping the World, by Antony Gormley and Martin Gayford, turns out to be a good deal better than the truly appalling plug for it recently published in The Sunday Times’ Culture Magazines, but it still exhibits a few problems.

Joseph Wright of Derby A New Book By Matthew Craske – Edward Lucie-Smith

The new book on Joseph Wright of Derby by Matthew Craske is a massive tome. Published by the Paul Mellon Center for British Art, it is entirely worthy of the artist’s high reputation.

Niki Gorick: What Actually Exists – Edward Lucie Smith

Visual art continues to flourish, despite the imminence of winter, in open-air city spaces.

Maggi Hambling: Powerful Often Sinister Paintings – Edward Lucie-Smith

Now in her mid-70s. Maggi Hambling is a senior figure in British art. She doesn’t have much presence abroad

Zanele Muholi Explores A Black Queer And Trans South Africa – Sue Hubbard

“I am re-writing a Black Queer and Trans visual history of South Africa for the world to know of our existence, resistance and persistence” -Zanele Muholi

JMW Turner: Narrating A Modern World – Tate Britain – Edward Lucie-Smith

There can be no doubt that the new show devoted to Turner at Tate Britain is a meaty affair. The gallery is fortunate in the fact that a great deal of Turner’s legacy is in its own possession, and that other British galleries also own important examples of his work. In present circumstances, with the coronavirus still raging, this will have saved the organisers a great deal of trouble.

Navigating Downtown NYC Galleries During A Pandemic Autumn 2020 – Ilka Scobie

As museums and galleries open to eager viewers, I took the easy way out and have only ventured to walking distance galleries. Luckily, this limited geography includes four stellar downtown shows.

Bruce Nauman, Damien’s New Show And Painter Mark Edwards – London Autumn Exhibitions – Edward Lucie-Smith

In the midst of the chaos in the London art world caused by the current pandemic an artist occasionally shows up who seems serenely separated from the ongoing turmoil.

Everyday Heroes: Southbank Exhibition Celebrates Low-paid Key Workers

How to celebrate the continuing vital and sacrificial contribution of key workers during the Covid-19 pandemic? Clap for Carers united the nation early on in lockdown but was thought to have become politicised and was vulnerable to the criticism that it distracted attention from a necessary focus on the low wages paid to many care workers.

Entwining Spiritualism And Art – Three Shows – Revd Jonathan Evens

Once upon a time in modernism, the interlacing of art and religion was rendered invisible. Art was not just for art’s sake but was exclusively about art. For Clement Greenberg and his followers, art that was pure and autonomous was art that was self-critical and self-defining.

Sin At The National Gallery Dreamsongs Colnaghi – Edward Lucie-Smith

In present circumstances, both public and private galleries have had to think hard about what is practical and within their reach to do. Sometimes they come up with curiously similar solutions. This is the case with two shows that have just opened in London – one at the National Gallery and the other at Colnaghi in St James’s.

Royal Academy’s Free Of Bombast Summer/ Winter Exhibition – Sue Hubbard

The Royal Academy Summer Show has an unbroken record. Still, this year, due to the pandemic, it’s being held in the winter rather than the summer

Artemisia Gentileschi Exhibition Opens At London’s National Gallery – Edward Lucie-Smith

The Artemisia Gentileschi exhibition has opened at the National Gallery at long last. It is accompanied by a handsome, fully illustrated hardcover catalogue. The hassle is that you have to book your slot to see it.

Some Fresh Blood: New London Grads Saatchi Gallery – Edward Lucie-Smith

London Grads Now, the new show currently on view at the Saatchi Gallery, won’t be with us for long. It is due to close on 25 September.

Quentin Blake and Victor Pasmore A Discursive Conversational Piece – Jude Cowan Montague

Quentin Blake and Victor Pasmore Hastings Contemporary: I’m standing for the first time inside the Hastings Contemporary

Ai Weiwei A Disturbing History Of Bombs IWM Marina Vaizey

Ai Weiwei IWM: History of Bombs. Little Boy, Fat Man, Daisy Cutter, Snake Eye, Grand Slam, Tomahawk, Tsar Boba, are seemingly innocuous even childlike labels for toys or games. But they are seared into the historic memory and are the actually terrifying, curious official nicknames of objects that are weapons in wars of mass destruction and attrition. The first two are those of the 1945 atomic bombs unleashed on Japan. Daisy Cutter (1970) did just that, flattening swathes through the forests of Vietnam.

Anish Kapoor Country House Splendour – Stuart Semple

Anish Kapoor Houghton Hall Norfolk: Have you ever felt like you want to ring your mum to tell her you think you might have left an important part of your brain somewhere in a field in Norfolk? Well, this whole experience is a bit like that!

Wartime London Explored in Paintings – Marina Vaizey

London was never invaded, but London has been at war. The look of London during the Blitz and after is captured in this marvel of a picture book, Wartime London in Paintings by Suzanne Bardgett, which reminds us of the superb collections of Modern British art held at the Imperial War Museum.

Anish Kapoor Bringing Heaven To Earth – Houghton Hall – James Payne

“Anish Kapoor is a magician,” says Lord Cholmondeley in his introduction to this exhibition. His ancestral seat, Houghton Hall is presenting the largest ever exhibition of outdoor sculptures by Kapoor, including stone pieces he has been making for 25 years but never shown in the UK. Quite a coup for Cholmondeley who it seems has pulled off some magic of his own.

Revisiting the Decameron – Flowers Gallery Online – Edward Lucie-Smith

An online show called Revisiting the Decameron, curated by Laura Gascoigne, has recently gone up on the Flowers Gallery web-site. It runs until 9th of August.

Sean Scully: Rhythm, Restraint, Splendor – Raphy Sarkissian

Painting, sculpture, architecture: here is a triumvirate wherein painting and sculpture remain in commanding dialogue with architecture throughout the impressive output of Sean Scully, as exemplified in the exhibition titled INSIDEOUTSIDE currently on view at the Villa Waldfrieden and the Cragg Foundation Sculpture Park in Wuppertal

Inspiration – Contemporary Art & Classics – Revd Jonathan Evens

Galleries and museums around the world are reopening. Among the first exhibitions being shown that caught my eye were Leaves of Grass by Max Gimblett at Page Galleries in Wellington, the pairing of Kudditji Kngwarreye and Idris Murphy at Mitchell Fine Art in Brisbane, and Inspiration – Contemporary Art & Classics at Ateneum Art Museum in Helsinki.

Zoobs Ansari – Elephant West – Edward Lucie-Smith

As this exhibition demonstrates, Zoobs Ansari’s work covers a lot of contemporary themes. On the one hand, there is the experience of the outsider, living in a culture that is not his own. Secondly, there is the fascination of show-business

London’s Masterpiece Art Fair Moves Online – Edward Lucie-Smith

The Masterpiece Art Fair, a regular feature of the summer season in London, is now up online and will be available there until 28 June.

Vincent Van Gogh A Durable Art Legend – Two New Books – Edward Lucie-Smith

Two books from Thames & Hudson about Vincent Van Gogh, one of the most durable legends in art. One offers his life-story, as told in letters written by himself, most of them to his brother Theo, who became a moderately successful art dealer. The other, by Mariella Guzzoni, is entitled Vincent’s Books: Van Gogh and the Writers Who Inspired Him.

Bryan Robertson Promoter Of New Art – Edward Lucie-Smith

Andrew Lambirth’s The Life of Bryan, recently published by Unicorn, describes itself rather demurely as a celebration, rather than as a biography.

Joe Machine Unseen Spring A Virtual Exhibition – Edward Lucie Smith

Joe Machine The London Magazine Online: The pandemic, for all its woes, has brought a few benefits with it. In the art world, one of the most conspicuous of these is the multiplication and diversification of the places where you can see images, as opposed to having to trek to a gallery of some kind where you can see the supposedly ‘real thing’.