ParisPhoto, the biggest photo fair in Europe held each November at the Grand Palais, returned with its 22nd edition, attracting nearly 70.000 visitors in four days and gathering more than 200 exhibitors from all around the world, offering an unparalleled presentation of contemporary and vintage photography from grandmasters to emerging young talents.
19 November 2018
Gauguin once reportedly exclaimed of self-taught artist Henri Rousseau’s self-portrait, “There is the truth and future! There is painting!”
18 November 2018
Hilma af Klint’s abstract paintings first dazzled me when I encountered her work in the 2013 Venice Bienalle.
15 November 2018
Angiosperms (roughly flowering plants) produce an incredible variety of seeds that are dispersed in creative, innovative ways, sometimes involving tricksy relationships with particular animals.
14 November 2018
Despite its title, Coca-Cola Girls, Alex Katz’s new show at Timothy Taylor doesn’t really belong in the realm of Pop Art. It does, however, have something in common with the concurrent Richard Smith show at Hazlitt Holland-Hibbert.
11 November 2018
This exhibition at the National Gallery is a landmark event. It brings together a rich selection of paintings, and some drawings, by two of the greatest masters of the Italian Renaissance.
10 November 2018
‘Life-destroyer’, ‘get lost’, ‘monkeys’, ‘in bad faith’, ‘malediction’, ‘concealed dungeon’, ‘poison head’, ‘parasite’, ‘disenchantment’, ‘lechery’. The titles of Peter Howson’s latest work, in translation from often Latin or Anglo-Saxon words or phrases, give a graphic sense of the content.
7 November 2018
Here, lumped together for the sake of convenience in an overcrowded Autumn season, are four London galleries.
6 November 2018
Tucked away in a group of spaces on the gloomy ground floor of the National Gallery is a superb exhibition that seems likely to attract less attention than it should in fact get.
5 November 2018
The Modern Couples show currently at the Barbican has eyes slightly too big for its own – or at any rate for my stomach. Nevertheless, it is, in the present climate for the visual arts, an event that is both timely and important.
As one of the participants in the globe-trotting EMPIRE 2 project, exhibiting the moving image on a world tour, I came to Paris for the project’s opening at Le100Ecs, an artist centre at 100 Rue de Charenton.
Twenty-one video and film installations, 11 hours plus of imagery created by today’s most radical image makers and at the beginning is an installation that takes us back to the beginning by mixing scientific history with Creation stories belonging to religious (Hindu, Buddhist, Jewish, Christian, Islamic, etc.), hermetic (Kabbalah, Freemasonry, etc.), and oral (Dogon, Inuit, Navajo, etc.) traditions.
1 November 2018
Arriving at Montparnasse, I don’t at first see any sign of the Gallery Granville. With its modest frontage, it’s located just off-road in a modern shopping centre.
31 October 2018
The R.A.’s show of drawings by Gustav Klimt and Egon Schiele, almost all of them loaned by the Albertina Museum in Vienna, arrives at a crucial moment in the long history of visual art.
30 October 2018
As is becoming more and more apparent, contemporary art in the United States is becoming increasingly regionalised. Which is to say, identified with one geographical location: California North or South, Louisiana, New Mexico, Seattle – rather than being an expression of American culture as a whole.
29 October 2018
Looking around the NPG’s new Taylor Wessing Photographic Portrait Prize exhibition, I was immediately reminded of the fact that we are right in the middle of a culture war.
28 October 2018
Just as I had begun to despair of the future of video, or of video + installation, as mediums for genuinely convincing contemporary art, two major examples arrived to change my mind. One was the video by the Maori artist Lisa Reihana that forms part of the Oceania exhibition at the Royal Academy.
Celebrating the tercentenary of Glasgow University Hunterian founder, Dr. William Hunter obviously calls for a significant exhibition. This impressive memorable display, immaculately presented, is organised by the Hunterian Art Gallery in collaboration with Yale’s Centre for British Art where it travels next Spring.
The Alternative Miss World Pageant which took place at Shakespeare’s Globe Theatre Saturday night was a triumph of artistic anarchy.
Few painters have fascinated and enthralled over the centuries as much as Pieter Bruegel the Elder (c. 1525/30‒1569) Now, the Kunsthistorisches Museum in Vienna has unveiled the most comprehensive exhibition of this 16th-century Netherlandish painter ever compiled.
Artlyst recently visited the Van Gogh Museum, Amsterdam, which is currently presenting Gauguin and Laval in Martinique
4 October 2018
Sean Scully is extremely widely known as a painter. Indeed, I might go so far as to say that he is as widely known as any contemporary painter now living.
3 October 2018
Structure tends to call to mind notions of order, stability and efficiency. It should perhaps come as no surprise that the artists featured in this exhibition most often pit structure against chaos and the ephemeral. One has the feeling that rather than having arrived at a definition, one leaves with more questions crowding around the […]
1 October 2018
Oceania, Royal Academy: To some extent, our ideas about what we call ‘primitive’ or ‘tribal’ art are still formed by what we have learned, during the last century or so, about the art of tribal Africa. African art had a major impact on the attitudes of the Cubists, and later on those of the Surrealists, […]
1 October 2018
The Space Shifters show at the Hayward lives up to its title, often in ways you don’t quite expect. This, in spite of the fact that it isn’t absolutely bang up to the minute. Many of the works on view aren’t all that new. There’s stuff here that does back to the 1960s, 1970s, 1980s […]
Elmgreen & Dragset have transformed the ground floor exhibition space at The Whitechapel Gallery into a disused municipal swimming pool complete with cracked tiles, fallen fluorescent lights, peeling plaster and scaffolding posts
13 September 2018
Audrey Grant’s latest exhibition of paintings is drawn from Des Meeres der Liebe Wellen* (The Waves of Sea and Love) a piece by the 19th Century Austrian dramatist Franz Grillparzer.
I’ve just returned from Riga the capital of Latvia in the Baltics and I’m still reeling from the energy that this small dedicated artist community has to offer.
Ahhh London in the Summer, and what better way to soak up the weather but to see a few shows. Paul Carey-Kent picks the best London exhibitions not to miss in July 2018
There was a huge pair of medical looking rubber gloves attached to St John’s Church tower, wafting in the breeze. 20-foot arms drawing you into the Waterloo festival
The initial omens are not good. As you go into Masterpiece 2018, the first thing that greets you – though ‘greets’ is the wrong word, it stands there as if trying to block your entry