It’s a week of art fairs in New York. The Armory Show, held in a crowded, bustling convention center on the Hudson River is the biggest of the fairs and indicative of the art markets changing economic landscape.
1 March 2017
2017 marks Bluecoat’s tercentenary, making it the oldest building in Liverpool city centre and the UK’s first arts centre: quite an achievement.
1 March 2017
There is no doubt that Maria Lassnig can paint. Whatever style from her early abstracts through to her figuration she handles paint fluently, her palette choices are selected with ease and confidence and show a debt to her Austrian heritage with more than a nod to Egon Schiele’s expressionist compositions and Oskar Kokoschka’s vivid colours and the European avant-garde. Her gestural brushstrokes are spontaneous, informal and expressive.
28 February 2017
Paul Carey-Kent publishes his March Choices 2017 – Up Now in a London Gallery near you.
26 February 2017
Exhibitions in major galleries are usually planned years ahead. So it is the Royal Academy’s good fortune that their two excellent shows Revolution: Russian Art 1917-32* and American After the Fall: Painting in the 1930s, should be so in tune with the current political zeitgeist.
25 February 2017
Mersad Berber (1940 – 2012) is one of the greatest and the most significant representatives of Bosnian – Herzegovinian and Yugoslav art in the second half of the 20th century
24 February 2017
Artlyst has travelled to Paris to the Musée du Louvre, which is currently presenting a selection of masterpieces by 17th-century Dutch painters from the collection of Thomas Kaplan and his wife, Daphne Recanati Kaplan.
13 February 2017
The R.A.’s new exhibition, hot on the heels of its magnificent Ab-Ex show, is entitled Revolution: Russian Art 1917-1932. That is, it aims to cover what happened in Russian art during the first period of Soviet rule.
11 February 2017
I would argue that the hardest thing to do, for a seasoned, well-trained, and technically savvy artist, is to paint like a child. After an impressive education at London’s finest art academies, how on earth do you find the faith to follow an innocent impulse? For artist Liliane Tomasko, it was motherhood that forced the new phase in her art practice.
11 February 2017
Vanessa Bell, (30 May 1879 – 7 April 1961) the creative bohemian matriarch, artist, co-founder and muse of the Bloomsbury Group has her first major exhibition in London at The Dulwich Picture Gallery.
9 February 2017
Jim Dine, the American pop artist (born 1935) has unveiled a new exhibition of his latest works on paper at Alan Cristea in London.
8 February 2017
It seems a long time since Tate Britain had a real blockbuster show. Even the Turner Prize, once a focus of popular attention, has received less and less publicity recently, to the point where the dissidents of the Stuckist Movement can no longer be bothered to picket it, even when the annual prize exhibition is held here in London, and not banished to some deserving gallery in the provinces.
5 February 2017
BILBAO GONGS AND BONGS Paul Carey-Kent has just spent 30 hours in Bilbao, mostly focused on the opening of Abstract Expressionism at the Guggenheim Museum on the evening of 2 Feb, but the city has plenty else of interest, some good, some not so good… Most Loved Cloaked in titanium to appropriately fish-scale effect, the […]
It is rare that I feel an exhibition is important enough to review twice on Artlyst but in the case of the Abstract Expressionist exhibition that was unveiled at the Royal Academy, earlier this year.
30 January 2017
The emergence of female artist’s in 2017 gives an opportunity to find discourse and insight into our contemporary culture, integration, position and sense of experience in living and lifestyle in today’s world. Nadine Talalla’s show, ‘Haunted Beauty’ at Dissenters Gallery, Kensal Green, runs from 27 January – 5 February. The presence of her oil […]
28 January 2017
It’s been a challenging time in New York City and art has provided some relief from politics. A recent roundup of three current and very different exhibitions left me feeling quietly inspired. Portia Munson’s shamanic show offers a blessed reprieve to the cold reality of post-Trump January blues. Twenty-four gorgeous intimate paintings, photo collages, sculpture […]
27 January 2017
London is a great city for art! Paul Carey-Kent regularly produces some of the best recommendations for London Art Exhibitions on a rolling basis.
22 January 2017
Desperate Artwives Exhibition is an exhibition of many voices; it is a collection of imaginative and engaging artworks made by members of the Desperate Artwives group. The works are brought together through the artists’ shared insistence on drawing the audiences’ attention to overlooked aspects of women’s lives.
19 January 2017
The verdict: “It seemed a little more even – and so a little duller – than usual this year”: less dire stuff, less outstanding material.
10 December 2016
Painter’s Painters at the Saatchi Gallery picks up the theme of figurative painting as a still essential and central form of art making and tries to give it a new spin.
Paul Carey- Kent chooses his pick for December 2016 through the new year.
I’m always left in two minds about Robert Rauschenberg. On the one hand, there is his enormous influence on the course of today’s contemporary art. Everywhere you look, you see things that came from him. He is a prophetic artist in all sorts of different ways: installation, junk sculpture, fascination with new technologies, performance art, collaborations
A shipping container covered in graffiti sits among the dreaming spires of Oxford, and my partner hears a rather haughty voice remark ‘…Well I don’t think it’s appropriate for the setting of the university, …and not very Christmassy!’,
JANE ENGLAND: TURN AND FACE THE STRANGE a new book reviewed by Paul Carey -Kent
Just occasionally, however, there’s a show in a commercial gallery that’s so resoundingly ambitious and so self-evidently important that it’s bound to cause a stir. Shows of this type offer an additional, though usually little mentioned, benefit: you get in for free, which is not true of blockbusters at the two Tates, the R.A. or the N.G. Impecunious art-lovers ought to scurry along to the huge Anselm Kiefer show that has just opened at White Cube in Bermondsey. Kiefer is, after all, on of the very biggest names in contemporary art.
22 November 2016
The Art of Rivalry is a relief in art critical terms. It is well and clearly written, with no pretentions. Sebastian Smee is currently the art critic for the Boston Globe, where he has been since 2008.
22 November 2016
Damien Hirst has become a major patron, in addition to being a celebrated artist. When he stages a show at his Great Newport Street Gallery, which is one of the most handsome art spaces in London, though not alas one blessed with good links to public transport, pretty well everything you see will be items that belong to him. This is the case with the aptly entitled Who What When How & Why, a solo show for his fellow YBA Gavin Turk. It’s a significant alliance in more ways than one.
17 November 2016
Modern Art Oxford presents its final exhibition in a series of shows celebrating the Gallery’s 50th anniversary; concluding its KALEIDOSCOPE series with ‘The Vanished Reality’. This multi-generational exhibition presents work by Marcel Broodthaers, Hans Haacke, Iman Issa, Darcy Lange, Louise Lawler, Maria Loboda, Kerry James Marshall, Katja Novitskova, and Hardeep Pandhal.
15 November 2016
I’ve just made a visit – a first but not the last, I hope – to the much talked about Hauser & Wirth set up near Bruton in Somerset. I already knew their rather grand gallery situated on Savile Row in London, where it jostles elbows, so to speak, with our city’s grandest purveyors of […]
14 November 2016
Walking the steps into the The Salon Art and Design show I really did not know what to expect. We are 2 days past the presidential election and Manhattan has felt uneasy, like a city in mourning even though the country had selected one of our own as president-elect. But once we passed thru the magnificent doors of the Park Avenue Armory, seeing the large crowds that greeted us, walking thru a Viennese turn of the century suite by Josef Hoffmann at Yves Macaux or the feeling of Paris 1930 with pieces from Jean-Michel Frank and Paul Dupre’-Lafon at L’Arc En Seine any uneasiness went away. It was replaced by the excitement of walking thru the best of art and design to be seen in New York.
14 November 2016
When I visited the Royal Academy’s in many ways excellent new show devoted to the Belgian Symbolist/Expressionist painter James Ensor, I was, much as I enjoyed it, haunted by an uneasy feeling. Not only that I was missing something, but that the curator, the distinguished Belgian contemporary artist Luc Tuymans, had somehow missed something too. Missed it, or averted his […]
4 November 2016
Sean Scully now increasingly seems like the most remarkable abstract painter of his generation – this, at a time when abstract art, abstract painting, in particular, is increasingly under attack.