4 April 2017
James Richards Reveals Wales Exhibition At 57th Venice Biennale
A new body of work including sound and video installations and photographic work by James Richards represents Wales at the 2017 Venice Biennale.
James Richards Selected To Represent Wales At 57th Venice Biennale
Arts Council of Wales has announced that artist James Richards has been selected to represent Cymru yn Fenis Wales in Venice at the 57th International Art Exhibition, the Venice Biennale, running from 13 May to 26 November 2017. 26 May 2016 This solo presentation, curated by Chapter – to develop a suite of new work for a […]
Artlyst EXCLUSIVE: LISTEN To James Richards Sound Installation For Francis Bacon Painting
The Turner Prize nominated artist James Richards has selected Francis Bacon’s ‘Study for a Portrait’ (1953), for the fourth and final presentation of works from the V-A-C collection, Moscow, and as a response to Bacon’s iconic figure, the artist has created an immersive sound work for the exhibition, which envelops the redesigned gallery space and […]
30 June 2015
James Richards Juxtaposes Sound With Francis Bacon For V-A-C Collection Presentation
For the fourth and final presentation of works from the V-A-C collection, Moscow, Turner Prize nominated artist James Richards has selected Francis Bacon’s Study for a Portrait (1953) which is currently on show at the Whitechapel Gallery until 30 August 2015. Richards has created an immersive sound work for the exhibition, which envelops the redesigned […]
James Richards Chooses Francis Bacon Painting For Final Presentation Of The V-A-C Collection
Turner Prize nominated artist James Richards has selected Francis Bacon’s Study for a Portrait (1953) for this fourth and final presentation of works from the V-A-C collection, Moscow, which will be on show at the Whitechapel Gallery from 23 June to 30 August 2015. The artist has composed a new sound work for this display, […]
17 October 2011
James Richards The Banality Of The Vernacular
Richards solo show at Chisenhale Gallery reveals the oh-so-grey void behind our vernacular visual landscapes For his solo exhibition at Chisenhale Gallery, ‘Not Blacking Out, Just Turning the Lights Off’, James Richards has created a new series of video works from montaged and digitally manipulated ‘vernacular visual content’ – from found-footage such as […]