The early history of the AIDS epidemic in New York City is explored from the first rumors in 1981 of a “gay plague” through the ensuing period of intense activism, clinical research, and political struggle—will be the subject of a major new exhibition at the New-York Historical Society, AIDS in New York: The First Five Years, on view from June 7 through September 15, 2013.
With a wealth of materials drawn from New-York Historical’s archives as well as the archives of the New York Public Library, New York University, and the National Archive of LGBT History, the exhibition will use artifacts including clinicians’ notes, journal entries, diaries, letters, audio and video clips, posters, photographs, pamphlets, and newspapers to revisit the impact of the epidemic on personal lives and public culture in New York City and the nation.
“For those who lost partners, children, siblings, parents, and friends, the memory of the fear and mystery that pervaded New York at the beginning of the AIDS epidemic remains vivid,” said curator Jean S. Ashton. “For many people today, though, these years are now a little-understood and nearly forgotten historical period. Yet the trajectory of HIV/AIDS changed paradigms in medicine, society, politics, and culture in ways that are still being felt, and the disease remains with us, affecting some 100,000 New Yorkers and more than one million Americans today. This exhibition explores a history that we continue to live.”
The exhibition will begin by recalling life in New York in the pre-AIDS period, especially the exhilarating sense of artistic and sexual freedom that followed the 1969 Stonewall Riots, which establishes the social and political context for the earliest reports from medical professionals of the physical decline and deaths of previously healthy young people afflicted with diseases usually found only in the aged. This section will feature the personal stories of the first AIDS patients and their caretakers and give voice to the doctors who cared for these patients. Because more than 80 percent of those infected were homosexual males, rumors of a “gay plague” circulated. Anchor objects in this area of the exhibition include a copy of the national medical bulletin Mortality and Morbidity Weekly Report that first mentioned the disease, the July 3, 1981New York Times article that was the first national media story, and a variety of reports published in the gay press.
As cases of this new epidemic were discovered outside the gay community, in heroin drug injectors, babies, and people who had had blood transfusions, the challenges posed to researchers and those caring for the sick intensified. Racing at once to discover the possible cause or causes of the disease in order to contain its spread and to alleviate the social and political impact of the growing rate of infection and death, scientists, social workers, and members of the affected populations and their friends struggled together to raise funds and influence research priorities. By the middle of 1983, responses from the community, including increasingly militant victims of the disease, began to take shape to demand support for social services and raise new monies for research. In New York, even more than elsewhere, AIDS was a political issue, pitting the Mayor against a vocal constituency that demanded action.
The second section of the exhibition will explore the impediments that prevented any quick solution to the growing problem. An epidemic of fear swept the city, fueled by rumors and stoked by exploitative news coverage, as funeral directors refused to embalm the bodies of AIDS victims, parents protested the admission of AIDS victims to public schools, and some hospitals refused to admit people suffering from the disease. It soon became clear that the spread of AIDS resulted from the exchange of bodily fluids, primarily blood and semen, and that it could not result from casual contact. Yet the general panic was slow to subside. “Safe sex” recommendations, restrictions on blood donations, and the closing of bathhouses appeared to threaten the social and cultural identity that members of the gay community had spent the previous decade trying to assert. This section of the exhibition will use excerpts from contemporary news broadcasts and interviews to establish the climate of anger and distrust that would in later years be transformed into activism, as well as early responses by medical ethicists, civil liberties lawyers, and religious organizations that worked to establish networks of support.
The third and final section traces both the progress of research on the causes of the epidemic, the development of AIDS philanthropy, and the growth of the anger and mistrust that would explode after the founding of ACT-UP in 1986. On display in this section will be slides and documents from the 1984 Park City Utah conference where Jean-Claude Chermann, a virologist from the Nobel-Prize winning team at the Pasteur Institute in Paris electrified the room by presenting evidence announcing the discovery of the retrovirus which would ultimately be identified as Human Immunodeficiency Virus (HIV), and would make possible the development of the first commercial test kit for the presence of the virus (also on display). The founding of amfAR and other philanthropic organizations, and the strengthened role of the Gay Men’s Health Crisis, also documented here, would enable the successful public outreach of the following decades. The gallery will focus on the landmark New York production of Larry Kramer’s powerful call to action, The Normal Heart, and will end with the highly publicized illness and death of movie star Rock Hudson in October, 1985.
Also included in the exhibition is a panel from the AIDS quilt memorializing Roger Gail Lyon, an early victim of the epidemic whose plea that he not die of “red tape” articulated the frustration of the AIDs community.
The years documented in AIDS in New York: The First Five Years preceded the founding of ACT-UP, whose commitment to activism and dramatic achievements will be illustrated in an exhibition at the New York Public Library entitled “Why We Fight: AIDS Activism and American Culture” running October 4, 2013-April 6, 2014.
Generous support for AIDS in New York: The First Five Years is provided, in part, by Ford Foundation and by The New York Community Trust.
Companion Photography Exhibition
A companion exhibition, Children With AIDS: 1990-2000, will feature thirty black-and-white photographs by Claire Yaffa from her collection The Changing Face of Children with AIDS. Based on photographs taken by Yaffa over a ten-year period, the exhibition will be installed in the New-York Historical Society’s Civil Rights Gallery, revealing with clarity and humility the often heartbreaking tales of children afflicted with HIV and AIDS.
New-York Historical is developing a complementary suite of public programs, including a conversation in the New-York Historical Robert H. Smith Auditorium on the AIDS crisis and AIDS activism with playwright Larry Kramer, interviewed by Tony Kushner, and enhanced by a reading from Mr. Kramer’s classic play The Normal Heart by actor/director Joe Mantello.
On June 1, World Science Festival will partner with the New-York Historical Society on the program “AIDS in New York: The Last Five Years,” exploring what it will take to end the HIV/AIDS pandemic. Headliner experts will examine the challenges ahead from a scientific, social, and political perspective to forge a common vision of an AIDS-free future. Joining the conversation will be Dr. David Baltimore, a Nobel laureate on the hunt for a vaccine and cure; Peter Staley, a nationally-renowned AIDS activist whose work shifted the political landscape; and other acclaimed pioneers in the field. The program will include a special preview of the New-York Historical Society exhibit.
Other events will include lectures with major public figures discussing important contemporary issues around HIV and AIDS today, hosted by the New-York Historical Society as part of the Bryant Park Reading Room series.
About the New-York Historical Society
The New-York Historical Society, one of America’s pre-eminent cultural institutions, is dedicated to fostering research and presenting history and art exhibitions and public programs that reveal the dynamism of history and its influence on the world of today. Founded in 1804, New-York Historical has a mission to explore the richly layered history of New York City and State and the country, and to serve as a national forum for the discussion of issues surrounding the making and meaning of history.
New-York Historical is recognized for engaging the public with deeply researched and far-ranging exhibitions, such as Alexander Hamilton: The Man Who Made Modern America; Slavery in New York; Drawn by New York: Six Centuries of Watercolors and Drawings at the New-York Historical Society; Grant and Lee in War and Peace;Lincoln and New York; The Grateful Dead: Now Playing at the New-York Historical Society and WWII & NYC. Supporting these exhibitions and related education programs is one of the world’s greatest collections of historical artifacts, works of American art, and other materials documenting the history of the United States and New York.
Photo: General Idea AGO Installation © ArtLyst 2011