The Art Fund has announced the five museums which have been selected as finalists for Art Fund Museum of the Year 2019, the world’s most prestigious museum prize.
The five shortlisted museums have each offered outstanding and different approaches
The shortlisted museums are: HMS CAROLINE, BELFAST, NOTTINGHAM CONTEMPORARY, PITT RIVERS MUSEUM, OXFORD, ST FAGANS NATIONAL MUSEUM OF HISTORY, V&A DUNDEE
The Art Fund annually shortlists five outstanding museums for the Museum of the Year prize, which, in the opinion of the judges, have shown exceptional imagination, innovation and achievement in the preceding year.
The members of this year’s judging panel, chaired by Stephen Deuchar, are: David Batchelor, artist; Brenda Emmanus, broadcaster and journalist; Bridget McConnell, Chief Executive, Glasgow Life; Bill Sherman, Director, Warburg Institute. The judges will together visit each of the finalists to help inform their decision-making, while each museum will make the most of being shortlisted through special events and activities for both new and current visitors.
The winning museum will be announced at a ceremony at the Science Museum in London on Wednesday 3 July 2019 and will receive £100,000. The other four shortlisted museums will each receive £10,000 in recognition of their achievements.
Speaking on behalf of the judges, Stephen Deuchar said: “Despite (or perhaps because of) the complex environment of our times, the UK’s museums continue to challenge and inspire. The five shortlisted museums have each offered outstanding and different approaches to the vital task of engaging with the widest public in new and adventurous ways. We congratulate all those who are on the shortlist and encourage everyone to go and visit them.”
THE SHORTLISTED MUSEUMS
HMS Caroline, Belfast: As the last remaining British light cruiser ship from the First World War and the Royal Navy’s sole survivor from the Battle of Jutland, the largest sea battle of the First World War, HMS Caroline offers an extraordinary insight into naval history, maritime warfare and the story of the Irish sailor. After averting plans to scrap the ship, an ambitious £20 million project to rescue, conserve and restore HMS Caroline was completed in 2018. The ship now offers an inclusive and accessible space for everyone to enjoy. An innovative learning programme and an immersive introductory exhibition in the newly renovated Victorian pump house surrounding the ship brings HMS Caroline’s long history and 90-year presence in Belfast alive.
Nottingham Contemporary: Since opening in 2009, Nottingham Contemporary has reached over 2 million people through its contemporary art exhibitions and engagement activities. Last year contained several watershed moments for the gallery, in which three critically acclaimed exhibitions shined a light on the work of women artists, and on overlooked and marginalised cultural practices. Virtual reality tours of the exhibitions allowed online visitors across the world to engage remotely. In 2018, the gallery also presented innovative performance art and ran educational programmes aimed at families, pupils, teachers and women in difficult circumstances, which saw a 25% increase in participation within these groups.
Pitt Rivers Museum, Oxford: Showcasing one of the most important collections of anthropology and archaeology, the Pitt Rivers Museum is remarkable for its singular approach to the presentation of objects and its willingness to encourage new interpretations. In 2018, the museum embarked on a series of innovative programmes: ‘Hope’ asked radical questions about their collection’s colonial past, ‘Making’ examined the link between making objects and health, ‘No Boundaries’ worked with refugees to reinterpret collections, and ‘No Binaries’ encouraged queer responses to the museum’s collections to celebrate diversity and challenge prejudices. The museum’s 600,000 strong collection of objects and new creative programmes brought in a record-breaking 502,000 visitors last year.
St Fagans National Museum of History, near Cardiff: One of Wales’ most popular heritage attractions, St Fagans explores the history and culture of the country. Last year the museum completed its Making History project, a £30 million redevelopment to become Wales’ National Museum of History, opening new galleries and workshop spaces and transforming its visitor experience. Throughout the development, the museum remained open, welcoming 3 million visitors to enjoy recreated iron age houses, royal residences and a new craft centre, as well as engaging 720,000 people in shaping the museum’s transformation through an imaginative public programme – reflecting the museum’s aim to create history ‘with’ rather than ‘for’ the people of Wales.
V&A Dundee: In September 2018 V&A Dundee opened its doors after 11 years of planning and construction, becoming the UK’s first design museum outside London. At the heart of Dundee’s waterfront, the building designed by Kengo Kuma is both a striking intervention and a feat of engineering. The museum showcases international design alongside the outstanding achievements of Scotland in the museum’s permanent Scottish Design Galleries and a programme of major exhibitions. Born from a unique partnership between the V&A, local government, universities, enterprise and communities, the new museum has helped regenerate the area, with 100,000 people interacting with the museum’s pre-opening programme and over 500,000 people visiting since it launched.
Art Fund is the national fundraising charity for art. In the past five years alone Art Fund has given £34 million to help museums and galleries acquire works of art for their collections. It also helps museums share their collections with wider audiences by supporting a range of tours and exhibitions, and makes additional grants to support the training and professional development of curators. Art Fund is independently funded, with the core of its income provided by 151,000 members who receive the National Art Pass and enjoy free entry to over 240 museums, galleries and historic places across the UK, as well as 50% off entry to major exhibitions and subscription to Art Quarterly magazine. In addition to grant-giving, Art Fund’s support for museums includes Art Fund Museum of the Year (won by Tate St Ives in 2018) and a range of digital platforms.
nt exhibitions in London, Tehran and Melbourne. Deriving from a long-term interest in colour and urbanism, his work comprises three-dimensional structures, photographs, paintings and drawings.