Hauser & Wirth London presents ‘Life Still’, an exhibition of new paintings by Keith Tyson. The series of works displayed have a shared subject matter; they are all flower paintings. Through the prism of this singular genre, Tyson moves between the philosophical, the mathematical, and the mythological to create the 25 works in the exhibition. By taking a myriad of approaches, painting each canvas himself, Tyson draws on the information systems that surround and bombard us, reflecting an experience of the contemporary world we all inhabit. In this respect, beyond any reading of the subject matter, the content of the exhibition explores how painting is, and always has been, contingent on the conditions and context of its making.
Tyson has referred to paint as a ‘programmable material’ and an ongoing interest in computers, coding and data has always been an important part of his life – from taking apart a motherboard as a teenager, to building ‘Art Machine’ early in his career. This featured algorithm generated combinations of words and ideas, which Tyson then realised in a multitude of media. His fascination with systems and the effect of data consumption manifests itself in the abundance of formal languages of painting in the exhibition. A celebration of the interconnectivity of the current age and its effect on himself and society is a counterpoint here to Tyson’s choice of subject matter which has a long-established art historical precedent. As Tyson says, ‘I don’t believe in a permanent self or in developing an artistic style. Our world is full of intricately connected systems and events. I’m simply trying to make work in collaboration with them.’
|Duration||22 May 2019 - 07 September 2019|
|Venue||Hauser & Wirth (London)|
|Address||23 Savile Row, London, W1S 2ET|
|Contact||/ email@example.com / www.hauserwirth.com|