Mania Akbari & Douglas White, Phil Coy & Frances Scott, Golden Family: Islands curated by The Russian Club




A group exhibition, Islands, curated by The Russian Club. In 1993 Annely Juda Fine Art organised the exhibition Partners, a selection of works by artists who, either through marriage or otherwise, were considered partners in their personal rather than professional lives. The exhibition, including paintings and sculptures by (among others): Ben Nicholson and Barbara Hepworth;  Kenneth and Mary Martin;  Alexander Rodchenko and Varvara Stepanova, gave an insight into the possible influences these relationships had on each of the artists. In the catalogue essay Mel Gooding writes of the complexities of “…interrelations and interconnections, dependencies and independencies, trusts and betrayals…”

The exhibition Islands takes this premise as its starting-point in considering a selection of contemporary artists whose methods have become intertwined with that of their partners. Although like the original presentation, this should not be considered a survey show, Islands would appear to suggest a possible shift in attitudes and circumstances from the artists in the earlier exhibition. Driven perhaps in-part by social, political and economic factors, the current emphasis on collaboration and obscuring of roles, even identities allows for an interesting comparison to previous generations and times.

Each of the three artist-pairings in the Islands exhibition demonstrate differing approaches to collaborating, from the ongoing ‘A Moon For My Father’ by White and Akbari, structured around an exchange of film ‘letters’ between the two artists, to Matt Golden and Natsue Ikeda, who as Golden Family blur authorship within their art practice at large, and in their development of a fictional nomadic musician character further blur distinctions between storytelling and real-life. While Phil Coy and Frances Scott generally author their own work within distinct practices, the processes are often inherently collaborative, as in the case of their films shown in this exhibition: ‘as far as I know’ (2015, Coy) and ‘CANWEYE { }’(2016, Scott).

Duration 15 March 2018 - 02 May 2018
Times Monday–Friday 10:00–18:00 Saturday 11:00–17:00
Cost Free
Venue Annely Juda Fine Art
Address 4th Floor 23 Dering Street, London, W1S 1AW
Contact / ajfa@annelyjudafineart.co.uk / www.annelyjudafineart.co.uk

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