Salome: Oscar Wilde and Maud Allan




The play was not publically performed in England until 1931. However, a dance interpretation by Maud Allan became the theatrical phenomenon of 1908. The Vision of Salome ran for eighteen months, creating an atmosphere of ‘Salomania’, and making Allan a star. A decade later, her career was ruined by a libel trial focused on her sexuality that mirrored Wilde’s downfall in 1895.The story was particularly appealing to the ‘decadent’ sensibility of excess, eroticism and aestheticism associated with the 1890s. The most influential artistic response was Oscar Wilde’s play Salomé, written in French in 1891. Dealing with themes of sexual obsession, incest and necrophilia, the play was banned by the Lord Chamberlain. It nevertheless reached an audience through the publication of a translation of the script with illustrations by Aubrey Beardsley (1894). The biblical character Salome has long been a source of fascination to artists and writers. The story of Salome’s dance for her stepfather King Herod in return for the head of John the Baptist is one of the most lurid episodes in the New Testament. She has become an icon of deadly feminine seduction – the archetypal femme fatale.

Duration 13 July 2009 - 12 January 2010
Times Open daily 10:00-18:00
Cost free
Venue National Portrait Gallery
Address Room 26 NPG London WC2H 0HE, ,
Contact 020 7306 0055 / archiveenquiry@npg.org.uk / www.npg.org.uk

Related Events

Sean Scully - Human: 8 May — 13 October: Abbazia di San Giorgio Maggiore, Venice
Discrepant Subjects -- 24 May - 4 June
Artlyst Benefit screen prints by Simon Patterson. Exclusive Editions
Open Source Salon with Hauser and Wirth - A new monthly discussion group
Advertise your next show on Artlyst from £200 per week